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Long Weekend Rhubarb Upside-Down Cake

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A short time ago, I asked on Facebook if people wanted to have a rhubarb or cherry recipe in the June newsletter.

And the answer came back - yes. More specifically, that there were good reasons for both. Cherries - so summery! Rhubarb - so southern! And my uncle in particular reminded me of my family's southern roots (my father's family hailing from Dallas, as they do).

Two recipes would make the newsletter very long - I aim for it to be pleasant and breezy - so this is the compromise - rhubarb on the blog, cherries for the newsletter.

The origins of the upside-down cake are very much European, but became particularly popular at the beginning of the 20th century on both sides of the Atlantic. In early American cooking, home cooks would use cast-iron skillets with feet, called spider skillets. The fruit and sugar would go into the bottom, and batter would be poured over the top, with the skillet being placed over the fire to cook.

In France, there's the tarte tatin, an inverted apple tart with pastry over the top. Either way, the basics are the same - fruit on the bottom and cake on the top, so that when the cake is inverted the fruit adorns the top and the juices cover the sides.

With this cake, the lemon-scented batter is thick but cooks up into a dense but moist crumb. The rhubarb goes into the pan raw and comes out perfectly cooked and gleaming in sugared juices, which will cover the sides of the cake as well.

And if you're anxious for a cherries? Be sure you're signed up for the newsletter!


~ Rhubarb Upside-Down Cake ~

2 sticks butter, at room temperature, divided, plus more to grease the pan
1 cup white flour
1 cup whole wheat pastry flour (two cups white flour is fine, if that's what you have)
1 1/2 lbs rhubarb, chopped into 1/2-inch pieces
2 1/2 teaspoons cornstarch
1 cup white sugar, divided
1/2 cup light brown sugar
Zest of 1 lemon
1 tsp baking powder
1/2 tsp fine sea salt
1 1/2 tsps vanilla extract
4 eggs
1/2 cup whole milk strained yogurt (I used Siggis - one container works perfectly)
2 tsps lemon juice.

1. Place the oven rack at the lower third of the oven. Heat oven to 325 degrees. Line the bottom and sides of a 9-inch cake pan with parchment paper, one with 3-inch sides. You'll need the height. To fit it best, trace the bottom of the pan onto the paper and cut it out, and then cut out strips to go along the sides. Butter the pan, and place the paper on top.You can notch the tops of paper sides to help them lay flatter against the pan. Butter the tops of the parchment paper as well. 

2. Mix the flours, baking powder, and salt together. Set aside.

3. Stir together the rhubarb, cornstarch, and 1/2 cup of the white sugar (it's okay to eyeball this). Set aside.

4. Stir the remaining half of the white sugar together with the lemon zest, and use your fingers to mix the zest in evenly. And then, yes, set that aside too. 

5. With the paddle attachment fitted to your stand mixer, whip 1 1/2 sticks of butter for two minutes on medium speed. 

6. While the mixer is running, melt the remaining 1/2 stick of butter in a small saucepan over medium heat. Add the brown sugar and stir together, and allow to cook while stirring until the mixture is smooth and beginning to bubble. Remove the pan from the heat and (say it with me) set aside.

7. Now things start to come together! Take a moment to scrape down the sides of the mixing bowl (the one with the butter), and return it to medium speed. Add the lemon sugar, and allow to beat for another four minutes - it'll start to look pale and airy. 

8. While the mixer is beating the butter and lemon-y sugar to a froth, pour the brown sugar mixture into the cake pan, and use a slotted spoon to layer the rhubarb over the top. 

9. Add the vanilla to the butter and sugar, and then shift the mixer speed to low. Add the eggs one at a time, allowing each one to fully incorporate before adding the next. Add the sour cream, followed by the lemon juice. At this point, the batter will look weird and curdled. It's okay. Carry on. 

9. Pause to scrape down the bowl again, and then turn the speed back to medium. Add the flour mixture a spoonful at a time, letting it begin to blend before adding the next, stopping just once fully mixed.

10. Pour the batter over the top of the rhubarb, and smooth the top with your spatula. Bake for an hour and fifteen minutes, or until the cake looks nicely browned on top and a tester comes out clean.

11. After baking, allow the cake to cool for about 30 minutes. then place your plate beneath the cake pan (you'll likely want to be using oven mitts for this) and giver 'er a flip. Wiggle the pan a bit to loosen it, and then lift straight up. If you use the parchment paper (which you did, right??) it should separate beautifully.

12. Serve warm, with whipped cream or ice cream - though it's plenty nice on its own. Makes about 8 servings (but if you aim for 6, I won't judge). Enjoy!




The #SparkleHorseHunt2016 Book Giveaway

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The Story: During a perfectly routine stroll through Homegoods with a friend, we turned a corner and stumbled upon this glorious beast.

My friend Liz, being awesome and posing so you can see how huge that thing is. 


Feast your eyes upon him, all ye who dare! At six-feet, this mirrored horse instantly topped our list of craziest things spotted. While I decided not to take him home (retailing, as he did, at $2,999.99), I did buy a selection of throw pillows and posted my photo of the horse to Facebook. Where, of course, became an instant internet sensation.



For a while, it seemed as thought it might be a fleeting event. AND THEN. And then mystery writer Halee Matthews spotted its twin - in Washington D.C.



Naturally, this spurred all kinds of thoughts.



As the days have gone by, questions still linger. How many are there? Well, folks - let's try to find out!

#SparkleHorseHunt2016 Book Giveaway

The Task: Do you have a life size sparkle horse at a Homegoods near you? Make a visit and see what you see! Trust me - you can't miss it. 

Alternate Task - Don't have a sparkly horse - or a Homegoods? Visit a TJ Maxx, Marshalls, Ross, or Tuesday Morning location (Costco, if you're desperate), and photograph the weirdest thing you can find. Oversized office chair covered in an American Flag print fabric? Perfect. Footrest shaped like a soccer ball? Yes. 

Next, share your pic on my Facebook author page with the hashtag #SparkleHorseHunt2016. You can also share on Twitter or Instagram, just be sure to tag me and use the hashtag. 

The Prize:
One copy of any of my books (click here to check out the options).

The Timeline: I'll accept entries until midnight on Sunday the 31st - that means you've got two weekends to go looking for a Sparkle Horse of your very own.

The Fine Print: One entry per person; should you choose to share multiple images for the enjoyment of all, that's great - just know that it won't increase your chances. Same if you share the same picture across social media platforms. This giveaway is in no way sponsored by or affiliated with Homegoods. 

The Fun Part: Stop by my Facebook page to see the entries and pick your favorites! And maybe - just maybe - we'll get an idea of how many giant Sparkle Horses might be spread across America!

Can't wait to see what you find!



Long Weekend Rhubarb Upside-Down Cake

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A short time ago, I asked on Facebook if people wanted to have a rhubarb or cherry recipe in the June newsletter.

And the answer came back - yes. More specifically, that there were good reasons for both. Cherries - so summery! Rhubarb - so southern! And my uncle in particular reminded me of my family's southern roots (my father's family hailing from Dallas, as they do).




Two recipes would make the newsletter very long - I aim for it to be pleasant and breezy - so this is the compromise - rhubarb on the blog, cherries for the newsletter.

The origins of the upside-down cake are very much European, but became particularly popular at the beginning of the 20th century on both sides of the Atlantic. In early American cooking, home cooks would use cast-iron skillets with feet, called spider skillets. The fruit and sugar would go into the bottom, and batter would be poured over the top, with the skillet being placed over the fire to cook.

In France, there's the tarte tatin, an inverted apple tart with pastry over the top. Either way, the basics are the same - fruit on the bottom and cake on the top, so that when the cake is inverted the fruit adorns the top and the juices cover the sides.

With this cake, the lemon-scented batter is thick but cooks up into a dense but moist crumb. The rhubarb goes into the pan raw and comes out perfectly cooked and gleaming in sugared juices, which will cover the sides of the cake as well.

And if you're anxious for a cherries? Be sure you're signed up for the newsletter!


~ Rhubarb Upside-Down Cake ~

2 sticks butter, at room temperature, divided, plus more to grease the pan
1 cup white flour
1 cup whole wheat pastry flour (two cups white flour is fine, if that's what you have)
1 1/2 lbs rhubarb, chopped into 1/2-inch pieces
2 1/2 teaspoons cornstarch
1 cup white sugar, divided
1/2 cup light brown sugar
Zest of 1 lemon
1 tsp baking powder
1/2 tsp fine sea salt
1 1/2 tsps vanilla extract
4 eggs
1/2 cup whole milk strained yogurt (I used Siggis - one container works perfectly)
2 tsps lemon juice.

1. Place the oven rack at the lower third of the oven. Heat oven to 325 degrees. Line the bottom and sides of a 9-inch cake pan with parchment paper, one with 3-inch sides. You'll need the height. To fit it best, trace the bottom of the pan onto the paper and cut it out, and then cut out strips to go along the sides. Butter the pan, and place the paper on top.You can notch the tops of paper sides to help them lay flatter against the pan. Butter the tops of the parchment paper as well. 

2. Mix the flours, baking powder, and salt together. Set aside.

3. Stir together the rhubarb, cornstarch, and 1/2 cup of the white sugar (it's okay to eyeball this). Set aside.

4. Stir the remaining half of the white sugar together with the lemon zest, and use your fingers to mix the zest in evenly. And then, yes, set that aside too. 

5. With the paddle attachment fitted to your stand mixer, whip 1 1/2 sticks of butter for two minutes on medium speed. 

6. While the mixer is running, melt the remaining 1/2 stick of butter in a small saucepan over medium heat. Add the brown sugar and stir together, and allow to cook while stirring until the mixture is smooth and beginning to bubble. Remove the pan from the heat and (say it with me) set aside.

7. Now things start to come together! Take a moment to scrape down the sides of the mixing bowl (the one with the butter), and return it to medium speed. Add the lemon sugar, and allow to beat for another four minutes - it'll start to look pale and airy. 

8. While the mixer is beating the butter and lemon-y sugar to a froth, pour the brown sugar mixture into the cake pan, and use a slotted spoon to layer the rhubarb over the top. 

9. Add the vanilla to the butter and sugar, and then shift the mixer speed to low. Add the eggs one at a time, allowing each one to fully incorporate before adding the next. Add the sour cream, followed by the lemon juice. At this point, the batter will look weird and curdled. It's okay. Carry on. 

9. Pause to scrape down the bowl again, and then turn the speed back to medium. Add the flour mixture a spoonful at a time, letting it begin to blend before adding the next, stopping just once fully mixed.

10. Pour the batter over the top of the rhubarb, and smooth the top with your spatula. Bake for an hour and fifteen minutes, or until the cake looks nicely browned on top and a tester comes out clean.

11. After baking, allow the cake to cool for about 30 minutes. then place your plate beneath the cake pan (you'll likely want to be using oven mitts for this) and giver 'er a flip. Wiggle the pan a bit to loosen it, and then lift straight up. If you use the parchment paper (which you did, right??) it should separate beautifully.

12. Serve warm, with whipped cream or ice cream - though it's plenty nice on its own. Makes about 8 servings (but if you aim for 6, I won't judge). Enjoy!



Housekeeping, House Selling

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So! It's been a while. So let's breeze through some things -

Results of the Sparkle Horse Giveaway of 2016? Becca Peterson is our winner! She didn't find a horse, but she did find a sparkle elephant! Congrats to Becca!


Other fun finds included this sparkle longhorn head, discovered by Monica, which is a thing I'm sure several of you have been looking for -


And Lis found this sparkle lion in Virginia!


Thank you all for your patience (since it took, you know, a very long time). But I have a very good reason for that - we're moving! Not just moving, but moving from Vancouver, WA (suburb just north of Portland) to Memphis, Tennessee! (Or a suburb nearby...).

Danny's job is based out of Memphis (he's been working from home and travelling back when necessary), and we've both spent a fair amount of time there. It's a giant change, but we're excited!

It's been a super busy summer getting the house ready to put onto the market, and yesterday we were able to do just that -


The website for the house is here, and you can see photos, maps, and other listing details. If you know anyone in the area who's in the midst of house hunting? Please pass it on!



What else?

The Olympics? That was fun. Netflix original programming? My heart was wrung into pieces by Stranger Things, as well as the audiobooks by Joshilyn Jackson I've been listening to while working on the house.

What else??

I don't know. I don't remember a time when I wasn't working on the house. Working on the house and working on Jane of Austin, which is coming along and awesome.

And there WILL be a newsletter going out in the next day or two, and it's possibly going to be the best one yet! If you haven't subscribed yet, click here.

So - what did you do this summer?

Article 10

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Welcome to the first ever Writers' Round Table on this blog! I'm super excited about this post, and it's a feature I'll definitely want to do again.

It all started when I settled in to starting Jane of Austin and began scrounging about for new music before getting to work. That action sent me on a mental rabbit trail about writing and music and the interaction between the two.


And if it's a big deal, I knew it would be for other writers, too. So to chat about it today I've got a crackerjack group of super talented storytellers who know their way around a playlist! So settle in with a cup of tea - you might just find your next favorite song!




Hillary Manton Lodge: What do you listen to when you write?


Rachel McMillan: Everything. I am someone who has wide musical tastes so, seriously, anything from Corelli (I love the Baroque period) to the Hamilton soundtrack (Broadway + Hip Hop= awesome) to Billy Joel. I wrote a sequence where the characters are at a production of Marriage of Figaro so I had a lot of Mozart going on for that in Bachelor Girl’s Guide to Murder. While I was editing, I listened a really exceptional cast recording of the Titanic musical by Maury Yeston a lot. It was playing in Toronto while I was finishing up for my editing deadline and I saw it three times. That is how amazing the orchestration is! Yeston studied the music of the Edwardian period immensely while crafting his stage show so it draws authentically on musical styles of the time: from Edward Elgar to Vaughan Williams to Ragtime. That definitely helped embellish my Edwardian world.

Laurie Tomlinson: I alternate between instrumental nerd movie soundtracks and super mellow music that makes it easy to tune out the lyrics (i.e. City and Colour or Sleeping at Last). The low music of coffee shops also works really well, and Spotify has a channel going specifically for that kind of ambiance! 

Hillary: I’m all over the place. If it’s instrumental, then I tend to reach for soundtracks a lot. Right now I’m loving the soundtracks to Far From the Madding Crowd and A Little Chaos. But I listen to a lot of indie artists, too - Lucius, The Oh Hellos, The Lumineers, and Darlingside are favorites.


Courtney Walsh: I only listen to instrumental movie soundtracks when I write. My favorite is probably The Piano soundtrack by Michael Nyman, but I’m also a huge fan of James Horner, Thomas Newman and Michael Giacchino. I also find myself really enjoying anything by The Piano Guys and anything with a Celtic feeling to it as well as the music from Harry Potter and the Bourne movies. Sometimes, though, I have to close my eyes and just listen to the music...but if there are words, I skip the song. I can’t concentrate when there are lyrics.


Carla Laureano: Up until this point, I listened to instrumental or dance music while I wrote, depending on the mood of the story, and saved the vocals for editing, which is more of an analytical process for me than a creative one. Lately, though, I’ve been using brain.fm which uses embedded frequencies to help you focus - I was completely skeptical, but my productivity has doubled while using it, so I don’t think I’ll ever go back to regular music when first-drafting. That said, I usually pick a few albums that fit the mood of the entire book, and I’ll listen to them on the way back from school drop-off in order to get into the right frame of mind to write.


Karen Barnett: It really varies for me. Sometimes I stick to straight instrumentals so it’s less distracting - either film scores or instrumental hymns. Other times it’s romantic songs or worship music.

Hillary: Does it change according to your mood, your scene’s mood, or neither?

Rachel: Not really. I always have music going but it is never intentional. I will say that I am a little OCD so if a scene I am particularly fond of --or a memory stirs of a good writing bout ---and I associate it with music then I am most likely to try the same playlist again in hopes of finding some good luck.

Laurie: Rachel, I do that, too! I have a playlist for each book, the songs of which either match the mood of a scene or have fitting lyrics. While I can’t listen to it while writing, I do listen to it before writing to set up the scene in my mind.

Hillary: I’m more likely to make up a playlist for a mood than a book, but sometimes I’ll go looking for types of music in particular. The best I can explain it is music cravings - my brain needs something in particular but doesn’t always tell me what. When I was working in the historical scenes in Together at the Table, my brain really liked the soundtrack to Outlander.

But in general, I think my brain is super moody. When I was doing edits for Reservations for Two, I needed something energetic and really different. Sooo - bhangra music! I also reached for the adventure theme ("I am the Doctor", "Words Win Wars") from Doctor Who - if you need to feel cheered on by your music, it’s solid.



Courtney: Not really. I don’t find myself wanting to write action just because the music from The Bourne Identity suggests it, though I’m kind of wondering if I should try that. One thing I did do in my last book, Change of Heart, was to find a version of a song that played an important part in the hero/heroine’s story and listen to it while I was writing the scene where it would’ve been playing in the background. I do think that helped make that scene come to life for me.

Carla: I don’t change according to the scenes or my mood, but rather according to the kind of emotion I want to evoke in the overall book or something that brings to mind the setting. The last book I finished writing, Under Scottish Stars, had a bit of a feminist theme to it, so I found myself listening to Sia a lot. When I was writing my fantasy series, I listened to Irish/Scottish trad and fantasy soundtracks like The Lord of the Rings. Probably the biggest departure was my playlist while writing Jilted. To get the Caribbean/South American vibe, I listened to punta, reggae, and paranda on Pandora, which are way outside my usual musical choices.


Karen: I like what Hillary said - music cravings. I have one particular playlist on Amazon music that I’ve filled with songs that build up my confidence. I’m often riddled with anxiety when I’m writing a new book and these songs help me to remember that God is with me throughout the process. It includes songs like Lord I Need You, Voice of Truth, Oceans, Remind Me Who I Am, and others. I also have a series of stations on Pandora that fit the mood of particular scenes or books. Currently I’m writing a book set in the 1920s, so I’ve been listening to 20s jazz. I’ll switch to Pandora’s Film Scores station when I’m working on a suspenseful or action-driven scene.



Hillary: For those of you who listen strictly to instrumental music, why do you think that is?

Laurie: I’m no neuroscientist, but I think the super technical answer is that my muse can’t talk over any words in music :)

Hillary: That’s valid. I think my muse gets laryngitis on the regular.

Courtney: What is this muse of which you speak??  I can’t even listen to instrumental versions of songs I know because my mind sings the lyrics (loudly and with the gusto of a Tony-award winning actress.) I just cannot concentrate when there are words--drowns out my own words.

Carla: I am a neuroscientist...no, wait, I’m not, but I’m pretty sure Laurie’s super-technical answer is right. I can listen to music with vocals, but only if I’m so familiar with the albums that I can tune them out.

Karen: I can usually screen out lyrics after a while, so it’s not a problem for me.


Hillary: Are there songs or soundtracks you find yourself reaching for over and over? Any specific ones that only fit specific scenes?

Rachel: When I first heard Keane’s "Somewhere Only We Know" a billion years ago, it immediately brought to mind the Winter Garden Theatre: this amazingly intimate theatre atop a historic vaudeville space in Toronto. The Winter Garden is made to look like a forest: gorgeous leaves, trees, stars, embellished paintings and pastoral fire curtain and every time I hear that song I think of that theatre. It was a space I always intended to use in a book because I love it so much and it ended up being a perfect space for a few key moments in the Herringford and Watts series so I cannot separate those scenes from that song. (Also, it’s so cliché, I know. EVERY writer loves Keane).

Laurie: A nice mellow writing or editing song I come back to is “Your Hand in Mine” by Explosions in the Sky. 




Hillary: Rachel - I was going to say “I have never heard of Keane” and then the song got going on YouTube and I totally recognized it. But the thing with a lot of those borderline cliché songs is that they’re reached for often for a reason.

Laurie - I really like that! It was giving me major Friday Night Lights feels, and then I googled things and realized it’s because Explosions in the Sky did the score - that’s so cool!

I kept returning to the soundtrack for A Series of Unfortunate Events for a lot of Together at the Table. And Thomas Newman, in general, but the Unfortunate Events music was such an atmospheric and mysterious but also positive - "Drive Away" is the perfect sum-up track for that, for the experience of working through but coming out the other side. Both Events and Together are about problem solving and resilience, so it’s probably why I responded to the music the way I did. For a lot of the tough scenes, "The Letter that Never Came" is really bittersweet and fit with those feelings of conflict and loss. A Little Chaos’s "When You Are Strong Enough" enough hits the same tone, as well.

Courtney: I mentioned the soundtracks from The Piano (which is a movie I really did not like), Harry Potter and the Bourne movies but I also really love the music from Far and Away and oddly, The Incredibles. None of these necessarily suit my genre, but they make me happy. 

Carla: Borderline cliché songs are awesome. I think they resonate with so many people because they evoke recognizable and universal emotions. Yep, I will totally go for the contemporary emo pop when I’m writing emotional sections of the book. Give me OneRepublic or The Fray or anything with a properly emotive major-minor chord progression and I’m totally going to make you cry with that scene. 

Courtney, I can’t believe you didn’t like The Piano...but I agree with the soundtrack love. If you liked that, you would love the soundtrack from Far From the Madding Crowd. To me, it feels like The Piano crossed with the strings arrangements from the Twilight: Breaking Dawn score, which in my opinion were the best things about the movies.





Hillary: Twilight movies - come for the nonsensical plot and bad makeup, stay for the score.

Karen: I was listening to a lot of Owl City when I wrote my first novel, Mistaken. The clever lyrics reminded me of the goofy first-love feelings where everything is magical and awkward all at the same time. I still come back to those songs when I’m trying to write romantic scenes that occur early on in a story. Lines like these get my heart fluttering:


“The silence isn't so bad

'Till I look at my hands and feel sad
'Cause the spaces between my fingers
Are right where yours fit perfectly.” 
(Owl City, “Vanilla Twilight”)

And also sweet songs like “Honey and The Bee."



Hillary: What music would you tell your readers to listen to while reading your books?

Rachel: This is too hard because my tastes and my soundtrack are so eclectic. I will say that when I first got the idea, I holed up in a cafe I like for a weekend and white-boarded while listening to the Broadway cast of Newsies and of Ragtime. Ridiculous, I know. But Emma Goldman (a featured character in Ragtime) is now a featured character in A Lesson in Love and Murder so there’s that.




Hillary: I love that you listen to Broadway while writing, and added Emma Goldman.

When A Table by the Window released, I actually made a Spotify playlist for it. I love it - it’s a mix of very Portland-y indie picks mixed with French and Italian language songs mixed with some mid-century favorites. Looking at it again makes me want to make another list!


Courtney: Hillary, I LOVE French language songs. Now, that would certainly evoke a different mood!! For me, I’d say it would be best to listen to Sara Bareilles, Colbie Caillat, Norah Jones and a mix of love songs from Billie Holliday and Etta James. In Change of Heart, the song "The Very Thought of You" was one of the songs I worked into the story.




Karen: It’s been a little eerie, but each time one of my Golden Gate Chronicles books released, a worship song popped up with almost identical themes to the story. For the first book, Out of the Ruins, it was “Glorious Ruins” by Hillsong Worship. As I finished writing Beyond the Ashes, I started hearing “Broken Hallelujah.” Both of these songs have imagery that are perfect matches for those stories. The last book of the series, Through the Shadows, releases in May. God has yet to surprise me with the perfect song, but the hymn “Amazing Grace” plays a key role in the plot. Maybe sometime in the next two months someone will do a beautiful new rendition of this old hymn. Wouldn’t that be fun?


Hillary: What song/track do you keep coming back to?

Rachel: I do have a kind of emblematic song for Bachelor Girl’s Guide to Murder. The book has a romantic subplot but I just couldn’t get these two characters together. I really needed a reason for them to be together without falling into a puddle of saccharine. My hero is riddled with doubts about the whole thing. I had promised my agent I would have the draft of Bachelor Girl’s Guide to Murder at the beginning of May as publishers had already seen sample chapters! In mid- April, I was on a work trip to Thunder Bay: this very far Northern Ontario town. You take a tiny plane to get there. It’s not a happening spot in April and it was freezing and blizzardy and every evening after my meetings were done I would eat at the hotel restaurant trying to get some writing work in before the onslaught of meetings and presentations ebbed over again.

One night, notebook in hand, James Morrison’s You Give Me Something started playing and I had it: something nuanced and a bit of a challenge that would carry through the subsequent books in the series.. I found myself listening to that song a lot as I finished the manuscript. For a two-fold reason: it reminded me of that scene and propelled my fictional romance, sure, but also it emblemized the fact that the process of writing this world was making me fall in love with my city in a brand new way. The romances in my series are nothing without Toronto as a lead, romantic character.


So, thanks James Morrison.


Hillary: I love that story! I’m super obsessed with Lucius’s "How Loud Your Heart Gets". I’ve got, like, three different recordings, and if I found another I would pay money for it. Cold hard cash, no questions asked. My favorite is the Spotify Sessions version - it’s the closest to the version I heard live a couple summers ago.



The song is joyful and yearning and romantic and hopeful - I just love it so much. 

Courtney: The music from How to Train Your Dragon and UP come to mind... I love both of those. Animated movies have the best soundtracks!

Carla: I’ve ended up with an emblematic song for each of my MacDonald Family books. For Five Days in Skye, it was “Say (All I Need)” by OneRepublic. For London Tides it was Colbie Callait’s “Magic”, which really encapsulated my lead couple’s long history. (The iTunes Session version is particularly good.) Under Scottish Stars ended up being all about The Fray’s “Break Your Plans”. I’ve now made such good associations between the songs and the books that they’re inseparable in my mind - they get me every single time!





Laurie: When I’m trying to write a sweet first kiss scene between my hero and heroine but am not really feeling it because, well, I’ve been chasing children all day, nothing makes me feel all the feels like Ben Rector’s song, “When I’m With You.” I have a super cheesy and random playlist that also includes a little Elton John, Sleeping at Last, All-American Rejects, and other random artists - but it works!


Karen:
This might make you laugh, but I’ve got two songs that get me past writer’s block. One is MercyMe’s “Word of God, Speak.” The very first line is “I'm finding myself at a loss for words, and the funny thing is, it's okay.” I think of it as an inside joke for writers, but it also reminds me that God is with me in the writing process. Another song that helps, but it a less spiritual way, is John Mayer’s “Say.” There’s something about hearing “Say what you need to say” about a hundred times to unclog the old writing pipes.

Hillary: Thank you guys so much for sharing! This was so much fun, and it’s added lots of ideas to my next writing playlist.

~ Round Table Guests ~



Rachel McMillan is a keen history enthusiast and a lifelong bibliophile. When not writing or reading, she can most often be found drinking tea and watching British miniseries. Rachel lives in bustling Toronto, where she works in educational publishing and pursues her passion for art, literature, music, and theater.

Laurie Tomlinson is an award-winning inspirational romance author and regular contributor to TheWritersAlleyBlog.com. She also runs a freelance copywriting, editing, and PR consulting business from her home in Tulsa, Oklahoma.

A member of the American Christian Fiction Writers, her books have received the Genesis Award twice and runner-up in the 2015 Lone Star Contest's Inspirational category.


Carla Laureanois the RITA Award-winning author of contemporary inspirational romance and Celtic fantasy (as C.E. Laureano). A graduate of Pepperdine University, she worked as a sales and marketing executive for nearly a decade before leaving corporate life behind to write fiction full-time. She currently lives in Denver with her husband and two sons.



Courtney Walsh is a novelist, artist, theater director, and playwright. Change of Heart is her fifth novel and is set in the same town as Paper Hearts. Her debut novel, A Sweethaven Summer, hit the New York Times and USA Today e-book bestseller lists and was a Carol Award finalist in the debut author category. She has written two additional books in the Sweethaven series, as well as two craft books and several full-length musicals. Courtney lives in Illinois where she and her husband own a performing and visual arts studio. They have three children.


Karen Barnett, author of Beyond the Ashes, Out of the Ruins, and Mistaken, lives in Oregon with her husband, two kids, and three mischievous dachshunds. When she's not writing, Karen enjoys binge-watching episodes of her favorite shows on Netflix and dragging her teenagers through dusty history museums. Oregon Christian Writers (OCW) honored her with the Writer of Promise Award in 2013 and a Cascade Award for her debut novel, Mistaken, in 2014. 

Jane of Austin Cover!

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Isn't it loverly? I'm thrilled to pieces over it - love the silhouette and Austin cityscape so much! It's available for pre-order, and you can read a summary on the book's page here.

Sorry the blog's been scarce, lately, things have been crazypants with the house and the book and trying to keep all the plates in the air as we prep for a move. But there are some fun events planned, so stay tuned!

Love Be the Loudest: A Q&A with Singer-Songwriter Ginny Owens

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So! Last September, before we moved out to Memphis, my good friend Rachel Lulich organized a concert at her church in Lake Oswego, and flew the award-winning singer-songwriter Ginny Owens out to perform.

Ginny Owens at piano in concert
If you ever have the opportunity to see Ginny live - do. She does a fantastic set, engagingly sharing the songs she's written over her 18-year-long career. I recognized songs I'd heard and enjoyed in college, songs that had a different resonance for me now.

We chatted after the show, and I had the chance to invite her to come and share here about her work, her process, and her latest album. I've interviewed lots of book-writers, so it was really fun to hear from someone with a different creative and professional pursuit!

Hillary Manton Lodge: Thanks so much for stopping by for the interview! Let’s start with your newest album, Love Be the Loudest. It’s your eleventh album, and it's got a decidedly more pop-sound to it than your previous releases. What inspired that shift?

Ginny Owens: Hi Hillary! Thanks so much for having me! I have to admit, I love pop music. T-Swift and Bieber have such catchy melodies, don’t they? During my daily workout, I usually spend part of the time listening to the current hits on Apple Music. But there’s a point at which I’m over the lyrics, and I know my brain doesn’t need to take them in anymore. So part of my goal on this album was to write upbeat, pop songs that also had upbeat, hopeful messages.

Secondly, as a singer/songwriter who’s been doing this awhile, I feel like it’s super important to keep experimenting and evolving. So that’s how I ended up here.

HML: I think there's so much wisdom to that. So, when you were working on this album, how did your songwriting change – and how did it stay the same?

GO: Funny thing about pop music: it’s so simple and singable that we all think it’s easy to write. Not so! Fitting words – especially words of substance – into memorable melodies takes a good deal of work. More work, in some instances, than writing a thoughtful, singer/songwriter song. So my writing changed in the sense that I challenged myself to write what I hope are substantive lyrics into singable melodies. 

(I should say, at this point, that I had wonderful help from co-writers who patiently plodded through the process with me.) That being said, many of the songs are still introspective and pondering the heavier things, which is, in general, my typical songwriting style.




HML: I found the lyrics perfectly substantive. What you did - which I think is really smart - is pare things down to the essence, so in a few words you've got some really big ideas. For you, which tracks from this album are your favorites? Which ones felt the most personal?

GO: This is a tough one. My songs are my kids – hard to have favorites! But if I had to choose, I’d go with "The Loudest Voice,” “Love Looks Beautiful,” “The Way God Sees,” “The Fire,” “Made for Loving You,” and “God Is Love.”

That’s a long list I know. I love them all for different reasons. “The Fire” is the most personal. It was written after months of vocal challenges and a health crisis, which left me with a deeper awareness of how God meets us and holds us in the fire.

Hillary Manton Lodge and Ginny Owens
Me and Ginny after the concert!
HML: The Loudest Voice" is probably my standout favorite, but I love the vibe of "Made for Loving You" and everything about "Love Looks Beautiful. So...apparently I can't settle on one, either!

Back in September, one of the things I enjoyed is how you structured your concert as a time of songs and stories. How do you feel your storytelling feeds into your songwriting?

GO: Well, I’ve learned that as a mellow, piano-player type, I’d better be able to tell stories, so I don’t put the audience to sleep! And because all my songs have a backstory, that’s easy. I also think stories can help provide context for those in the room who don’t know the songs, and add a layer of depth for those who do.

HML: What does the process look like between writing a song and cutting a track? (This is me, freely admitting that everything I know on the subject came from the movie Once).

GO: The process used to involve sitting in a room with another writer or two and using our instruments and voices to craft a song. Then we’d record a voice memo of it, live with it for a bit, make changes, and when we were happy, go into the studio to record. But on this record – (and on most CCM or pop records you hear) – there was usually a songwriter/producer in the room, and he’d immediately begin crafting a track on the computer, while we wrote lyrics and melody. 

We’d work for 4-5 hours finishing the song, lay down a rough vocal for reference, and live with the track for a few weeks. At the end of the day, many songs would sound very similar to the original demos, just with more instrumentation and vocals. I did both kinds of writing for this album.




HML: This album is the fourth that you’ve released as an indie artist. Having released with a label as well as independently, what do you like about being indie? What are the challenges?

GO: The blessing and the curse of being an independent artist is that everything is up to you. This means you have complete creative control, which is wonderful. But it also means you have complete control over marketing, publicity, and managing your budget – which can be quite a heavy load for a creative person. People often ask me what I do every day that I’m not on the road. I always say, “I try to catch up on all the work I’ve missed.”

Playing music is the easy part. Handling the business side is the real challenge. There are many days when I think it’d be great to have a label team to do all the marketing and management. Then again, I don’t have to recoup label dollars, which usually end up being at least half the pie. In this age of streaming, where sales are smaller and royalties are more scarce, being independent is probably a better deal, if one can make the numbers work. That’s why I tour a lot. And write blogs and books, too.

HML: In the new album, you’re releasing two new versions of previously released songs, “If You Want Me To” and “Wonderful Wonder.” What made you want to record them again?

GO: I close nearly every show with these two songs, and since they’ve been around awhile, I wanted to re-imagine their production. It’s fun for me to think of new musical ideas for old songs, but I also think new sounds make them more accessible to new listeners.



HML: You’ve spoken previously about how “If You Want Me To” was inspired by the challenge of finding your career path when you were in college, and released with your debut album in 1999. I remember listening to that version then, but listening to you sing it in concert, and then the new track on the album, I feel like it’s grown and deepened even as the melody and lyrics have stayed the same. Even in the past few months, I've had the same deepening of appreciation for "The Loudest Voice." Do you have other songs that feel as though they’ve grown along with you?

GO: Why thanks! That’s a very kind thing to say. Because my songs are usually inspired by very specific seasons or stories, I do feel like they deepen with time, maybe because as I grow and change, and as God teaches me new life lessons, I bring those to the music. I can add new layers to the stories as I set up the songs. And they’re coming from a place of deeper understanding than when I first wrote them. Most songwriters will say they’re often surprised by how God will use the lyrics they wrote to challenge and change them down the road. I’ve definitely had that experience.

HML: On your YouTube Channel, you share live and lyric videos of your music, as well as your “How I See It” series about living blind. What inspired that series?

GO: One afternoon when we were shooting some footage for a lyric video, I asked my videographer if she’d mind grabbing a few simple, low-key videos about how I get things done. We started with baking, crossing the street, and using an iPhone. 

I was very surprised by the reaction from friends and fans. I began to realize there were many questions people had about how I lived life that they were too uncomfortable to ask. I also heard from parents of children with disabilities, who were encouraged to know that their children could one day live independently. The videos have sparked an ongoing dialogue about how we all see the world. I’m excited to make more!



HML: You’ve committed to donating a portion of your album sales to a variety of non-profits. Which causes do you feel passionate about?

GO: I feel passionate about oh so many causes! But so I don’t confuse the message, I’m starting with two special projects, and we’ll grow from there. We’re partnering with Compassion International to help fund their nutrition initiative, which does everything from disability care and prevention for kids, to providing clean water. We’re also working to get sponsorships for kids who have been waiting a long time. Many of these have special needs or are teenagers, so folks often overlook them.

We’re also partnering with an awesome non-profit called The Next Door, an incredible treatment program for women battling addiction. I’d love for your readers to participate in our work, either by visiting lovebetheloudest.com or by grabbing a copy of the new album!


HML: As a writer, I love hearing about how people write in different disciplines. What advice would you share with new singer/songwriters? What advice do you wish you could have given yourself when you were just starting out?

GO: The closer friends you and your writing become, the better it will serve you. If you love writing, discipline yourself to do it often, not just when you get inspired. As you create with words and music, you’ll build confidence in your gift. Find a “safe person” to run your art by – someone who will give you constructive thoughts and will champion you. Bloom where you’re planted. Connect with other musicians and writers in your area to work or just bounce ideas off each other. Play your music out as often as you can.

HML: I really love that advice - I think it's equally applicable to writing fiction. Thanks SO MUCH for stopping by and sharing!


Readers: use the form below to enter the giveaway to win a copy of Ginny's album! I listened to it a lot while I was working on the end and the edits for Jane of Austin. The songwriting and melodies are so good and so catchy - these are tracks that will stay with you in the very best way. Are you a fan of Ginny? Let us know which song of hers is your favorite in the comments!


Memphis Diaries: Part I

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Memphis bridge - Adobe Stock

Some days I can't quite believe we made it here. In December, we packed most of the very last of our belongings into the truck and car. Stuffed, more like - the car was on a trailer, and everything I thought I might need in the apartment for the first week was wedged inside. Clothes, kitchenwares, bedding - stuffed.

I wrote "most of the last" because some of it just didn't fit. The vacuum? Left with my brother-in-law to donate (we would have donated it ourselves, but it was, like 11pm or so). And there's a lampshade we barely fit into the truck that we left with my mom to mail later.

The Grand Canyon
The drive was long and grueling. A theft in Reno on New Year's Eve resulted in the loss of personal items that cast a pall on the trip. A side-trip to the Grand Canyon was absolutely breathtaking.

We stopped in Austin (because of course) and ate all the tacos (soooo many tacos at Torchy's, which is the best, and has the loveliest staff). I toured the Capitol Building and enjoyed learning as much as I could before we left for Texarkana.

We arrived at our new apartment in Northern Mississippi during an ice storm, having re-routed to avoid the worst of the related traffic. It was after dark when we got there, the sidewalks slick and slushy. Our apartment was on the second floor, so the four of us - me, Danny, and the two pups - went up and down the stairs, carrying as much as we could upstairs into the empty apartment. We slept on an air mattress, and managed to get to our storage containers several days later for other necessities (floor lamps! Artwork! A table and chairs! Cookbooks!).

But we weren't in Memphis long before Danny was sent out to a job site in Long Beach, CA - for what turned out to be a five week stint.

I spent those five weeks exploring a little but working a lot - because of the move, I had a little time to do a lot of editing. Also up? Recipe testing.

Raspberry Cream Cheese Kolache! You'll find the recipe in Jane of Austin

I was huuuuugely grateful to my street team, who agreed to help test scones, cornbread, hand pies and a tea-spiked Texas Sheet Cake. I still tested many of the recipes - one of my favorites being the Raspberry and Cream Cheese Kolache!

Central Park in Southaven, Mississippi

The dogs and I discovered new parks in between long hours of editing. How long? I found myself taking the pups out for piddle breaks at 2 and 3am around the apartment complex, and there was an over-nighter in there, which I wasn't good at in college, and I'm really not good at in my thirties. But I bullied the manuscript into a good place - that book is on the list of Things I'm Really Proud of That Were Worth the Work.

Galley edits!

In between the copy and galley edits, I cooked. I made Ottolenghi's Cauliflower and Parmesan Cake (by way of Smitten Kitchen, by way of my friend Janell, who uses more turmeric and more Parmesan), the Kale Caesar Salad from the Forest Feast cookbook, which is sooooo good and if I had Greek yogurt in my house I would make it right now. I made a Flourless Chocolate Almond Torte, which a.) I should make again, but b.) should bake it in a water bath. Also, I should have soaked my silicone Springform pan with vinegar between baking the cauliflower and chocolate cakes, because the flavor of onion and turmeric infused the edge of the chocolate cake, which wasn't exactly the flavor profile I was looking for.

The Dixon Galleries & Garden


The weeks passed, and springtime came to Memphis.  Danny came home, and we got to revisit favorite spots, like the Memphis Botanic Gardens and the Dixon Gallery & Gardens. And a few weeks later, we put an offer in on our house. But that is a post for another day.

Tulips at the Dixon!


Release Day Strawberry Tart

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I can't even tell you how thrilled I am that Jane of Austinis finally out and available in the world! For all of you who pre-ordered - thank you, and your copy should arrive today! And for everyone else, you can find your copy online and on shelves!

I'm also thrilled to add that Janecan be purchased as an audiobook! As an avid audiobook listener, I'm thrilled to pieces to have one of my books available in audio!

To celebrate, I'm sharing one of my favorite recipes from the book! This recipe shows up during a scene set at SxSW. Jane and her sister Celia make them as minis, but you can adapt the tart for whatever tart pans you might have. In a pinch, you can use a pie pan or 9x9 pan.


I used a rectangular tart pan I found at TJ Maxx years ago, and haven't used in ages. Now that we're settling in, it was time to pull it out! This tart sounds tricky, but it's really not hard if you give yourself plenty of time. I recommend making the tart dough the night before. But as much as the crust takes a bit of planning, the filling comes together in a snap. You could totally make the tart shell a day early, if you wanted.

The filling? Well, I have a noted love of mascarpone, and use it here with some creme fraiche to make a sweet, rich, and tangy filling that doesn't require any time at the stove. Creme fraiche is kinda like a more delicate sour cream, made from thickened buttermilk. In a pinch you could substitute ricotta cheese and sour cream - just know that it'll change the texture, and you may want to add more honey. I also use vanilla bean paste because I like to see the vanilla beans in the cream, but you can use vanilla extract, too.

~ Strawberry Tart ~

For the Crust

1 1/2 cups flour
1/2 cup powdered sugar
1/4 tsp fine sea salt
9 tablespoons cold unsalted butter
1 large egg, beaten

For the Filling

1 cup mascarpone 
1/2 cup creme fraiche
2 tablespoons honey
2 teaspoons vanilla bean paste
1 pound strawberries, hulled and sliced

To make the tart shell:

Cut the butter into four slices lengthwise, turn, and make another four lengthwise cuts. Cut the butter crosswise, making 1/4 inch or so incisions. Put your butter cubes onto a plate and refrigerate (if your kitchen is warm - if, say, you live in Memphis and it's toasty out, bypass the fridge and go straight for the freezer. 

Sift the dry ingredients together in a medium-sized mixing bowl. Add the chilled butter, toss with the flour mixture, and work the butter in with your hands. Press the butter cubes flat with your fingers, creating oatmeal-type flakes. It's okay to have big and little pieces (actually, it's a good thing). Continue until most of the butter cubes have been pressed flat.

If the butter feels soft and warm, put the mixing bowl into the fridge to allow the butter to firm back up (this helps preserve a flaky crust). After 10 minutes, remove the bowl and add the egg. With a fork, lightly stir the egg in and keep tossing until a shaggy dough just begins to form. Use your hands to press and turn the dough within the bowl, working just until the dough holds. Form the dough into a disk, wrap with plastic wrap, and allow the dough to rest for an our, or overnight. 

Before you roll out the dough, remove the dough disk from the fridge and let it warm a bit, about 20 minutes or so. Roll it between sheets of plastic wrap until it's about 3/16ths of an inch in thickness. Tuck the plastic wrap around the edges and refrigerate the dough sheet for 15-30 minutes.

Butter the tart pan. If you're using a pie pan, use the pie pan as a rough guide to cut parchment paper to line the bottom - trim it to fit, and butter both the pie pan and the parchment paper. If you're using a 9x9, use parchment paper to line both the bottom and the sides - it'll help make it possible to lift from the pan.

Press the dough into the tart pan and trim the edges; use the trimmings to patch any holes that may have formed. Use a fork to score holes across the bottom. Refrigerate - yes, again - the dough in the tart pan for 30-60 minutes. 

While the dough is refrigerating, center an oven rack and preheat the oven to 375 degrees. 

Bake the shell for 15-20 minutes - you want the crust nice and brown, but check on it at the 15 minute mark to make sure the top edge doesn't get too brown. Remove from the oven and allow to cool fully before filling (a wire rack is great for that, you can often find them discounted at Homegoods or Tuesday Morning). 

To make the filling:

Stir the mascarpone, creme fraiche, honey, and vanilla bean paste together. Spoon the filling into the cooled tart shell; if you're making minis, put the filling into a Ziplock bag, cut off the tip, and pipe the filling in. Arrange the strawberry slices on top and serve immediately. 

I hope you enjoy the tart! It's perfect for a summer get-together. And I really, really hope you enjoy Jane of Austin - happy reading!


What are you looking forward to eating and reading this summer? 
Share in the comments below!

Jane Austen Week!

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I'm so excited for this week! In honor of the 200th Anniversary of Jane Austen's passing, this week is going to be five straight days of Austen-y goodness, celebrating her work and it's centuries-long impact. 




On Monday, I'll kick things off with a delicious scone recipe (as I do) and information about how to enter to win the Jane of Austinprize package, offered by WaterBrook Multnomah.



On Tuesday, author Kathleen A. Flynn of The Jane Austen Project is going to share about her thoughts on Jane's legacy and how she combined literary historical fiction with time travel. I recently finished reading the book, and had a great time getting to pick Kathleen's brain about her thoughts and process. She'll be giving away a copy of the book as well!



On Wednesday, Teri Wilson is going to swing by and tell us about her novel, Unleashing Mr. Darcy. She'll also share about the process of having her novels developed into a Hallmark Original Movie (twice!) and what it was like to be a part of the judging process for Miss America. Would Miss America impress Miss Bingley? Find out what Teri thinks on Wednesday! She'll also be giving away copies of Unleashing Mr. Darcy as well as her latest book,It Started With A Diamond.





On Thursday, join me on my Facebook Author Page as we watch the 1995 adaptation of Sense & Sensibility! We did it last year with Chocolat and had a great time, so join us as we enjoy Emma Thompson's Oscar-winning screenplay, Kate Winslet's impassioned turn as Marianne, and Hugh Grant's floppy hair. And as always, come for the movie, stay for the book giveaway!



Katherine Reay, award-winning author of Dear Mr. Knightleyand Lizzy & Jane wraps up the festivities on Friday, sharing about Jane Austen's influence on her writing.

On top of everything on the blog, there will be a special Austen-edition of my newsletter this week, so be sure to subscribe if you haven't already!  Can't wait to chat Austen with everybody!
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Which Austen novel is your favorite? Share in the comments!

Jane Austen Week: Day 1 - Chamomile & Lavender Scones

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It's the first day of Jane Austen week! You can click here to see the full schedule of events - I'm really excited.

To kick it off, I'll admit I spent some time thinking about what to say. After all, I've spent a lot of time lately writing about what Austen's work meant to me, and what makes her so enticing to adapt.

So rather than say more just now, I decided to pivot and share a scone that almost made it into the book.

Originally there were three scone recipes in the book, and I nixed this one, and after testing it this week - well, I'm glad I get to share it here!


Honestly, these could have gone badly. Flowers can be tricky to utilize in food sometimes - use the wrong amounts and the effect is unpleasant. But these are a fairly standard cream scone, kicked up with a hefty dose of ground chamomile tea and dried lavender buds. For a more traditional scone, serve with Devonshire cream. But for my money, I'd top them with a light vanilla glaze that kicks the sweetness up a notch. If you do both, I won't tell.

~ Chamomile and Lavender Scones ~

1 tablespoon plus 1/4 teaspoon dried lavender
1 tablespoon plus 1/4 teaspoon chamomile tea
2 cups flour, plus more for rolling out
1 tablespoon baking powder
½ teaspoon fine sea salt
½ cup sugar
5 tablespoons cold butter, cut into small cubes
1 cup heavy cream

1 cup powdered sugar
3-4 tablespoons whole milk
1/4 tsp vanilla bean paste (vanilla extract is fine, you just won't get the specks of vanilla bean)

Place a baking rack at the center of the oven and preheat  the oven to 425 degrees. Line a baking sheet with parchment paper.

Grind the lavender and chamomile to a fine powder in a spice grinder (see note below). In a large mixing bowl, whisk together the lavender, chamomile, flour, baking powder, salt, and sugar.

Add the butter, tossing the cubes with the flour mixture and flattening the small cubes with your fingers, rubbing some of the butter into the flour - you want a mix of butter pieces that look like quick oats and pieces that look more like dimes. If you kitchen is on the warm side and the butter feels soft, freeze the butter and flower for a few minutes, until the butter firms back up. 

Add cream and stir with a wooden spoon or sturdy spatula until a dough forms. Place the dough onto a floured surface. Form the dough into a circle and roll the top flat, about 3/4 of an inch thick.

For round scones, use a biscuit cutter or a water glass to cut circles from the dough. Place the circles onto the baking sheet, and baking for 10-15 minutes until lightly golden.

As the scones cool, mix powdered sugar with the honey and warm milk, splashing the milk into the mixture until a stirable mixture forms. Allow the glaze to set before serving. 

Makes about 6-8 scones.

Note: for best results, I recommend using a spice grinder to blend the tea and buds into a fine powder. And by "spice grinder," I mean a cheap coffee grinder that you solemnly swear never to use with coffee beans.

Last but not least...



...my publisher has put together a beautiful giveaway package to celebrate the release of Jane of Austin! Click here to enter!


What kind of scone do you enjoy to bake or eat (or both!) - share in the comments!



Jane Austen Week: Day 2 - Q&A with Kathleen A. Flynn

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Welcome to Jane Austen Week, Day 2!

One of the many pleasures of being a writer is getting to meet other writers. I haven't had the pleasure of getting to meet author Kathleen A. Flynn in person, but I was a third of the way through her debut novel, The Jane Austen Project, when I was in the planning stages of Jane Austen Week.

With its mix of Jane Austen, time travel, and philosophical speculation, it landed squarely in my reading sweet spot. In a nutshell, time travelers Rachel Katzman and Liam Finucane are sent to 1815 to recover Jane Austen's letters to her sister Cassandra, as well as a previously undiscovered completed manuscript. But their objective becomes messy as they become involved with Jane's social circle and begin to notice small changes in the historical timeline. And after a while, Rachel  a doctor  begins to wrestle with the mysterious illness that ultimately takes Jane's life.

Intrigued? So was I! After all, Jane Austen Week is all about the 200th Anniversary of Jane's passing; a celebration of her life's work. And because the plot of The Jane Austen Project centers very much on Jane's life, the looming reality of her death, and what might have happened if history had unfolded differently, I'm thrilled Kathleen could participate!





Hillary Manton Lodge: The Jane Austen Project opens in what feels like the near future. While you’re very specific about the historical dates, Rachel and Liam’s present day is hazier. Why is that? When do you think they’re originally from?

Kathleen A. Flynn: Great question! I wanted to be very specific about 1815 and more vague about the world Rachel and Liam had come from, because I wanted to leave some space for the reader’s imagination to roam. And because I did not want the story to be about the world they came from. Their world is not our world at some point in the future; it would be more helpful to think of it as an alternate possible world, where certain features of our own world are taken to a logical (or absurd) extreme.

HML: Almost immediately upon arriving in Regency England, Rachel and Liam come across a grisly remainder of local justice. The stakes are high from the very beginning, and we’re very aware that this isn’t the BBC’s 19th century England. What were your intentions when it came to writing a portrayal of that time period?

KAF: I was interested in challenging the romantic, idealized image of life in Regency England. Especially because of the dominance of movie versions of Austen’s novels, it’s easy to picture life there as quite idyllic. Which it was in some ways, particularly if you were rich, and a man, and white, and the proper sort of Protestant. But even for those fortunate ones, there were a lot of unpleasant, unsanitary aspects of life that the movies – and Austen novels too – tend to gloss over. I wanted to explore how all this would seem to someone not used to it, which was why I needed time travelers.

HML: I can see that - Rachel in particular functions really well as an audience surrogate, but is still interesting in her own right. The blend of genres works really well. As both a work of science fiction and historical fiction, what kind of research did The Jane Austen Project involve?

KAF: Rachel and Liam are new to 1815 – they take nothing for granted, and we are seeing this world through their eyes. I needed to know things like what people ate, how they traveled around, bought clothing, and found servants. I researched what the customs of socializing would have been, the state of medicine at that time, and what the Austen family would have been doing at this particular moment in history, when I wanted to insert some visitors into their lives. 

Jane Austen’s work itself, though not much help on things like cookery or hiring a servant, is impressively precise about social stuff, full of telling little details that are easy to read over unless you are looking for them. Like the social significance of what time of day people eat their main meal, or who drives a curricle vs. who drives a barouche.

There is a certain amount of science in my story, but not a lot. I was interested in creating a plausible-seeming, logically consistent method of time travel (no magic), but I did not want to go into too much detail about it. Certain ideas already part of the furniture of my mind – from having studied physics (at a very basic level) in college and currently working with people who know a lot about data science and statistics – got a little more airing and research, and a chance to be playful.

HML: I felt it was just the right amount - enough to answer questions, but not so much that it overran the characterizations or relationships, especially since those relationships are so crucial to the book's main themes. When it comes to those relationships, in what ways do you feel that Rachel’s relationships with Henry and Liam echo Austen’s marriage plots?

KAF: I wanted my story to honor Austen’s novels and yet not try to imitate them too slavishly. I’m fascinated by how Austen turns the marriage plot to her own ends, using it as a vehicle of self-discovery for her heroines. In Rachel’s relationships with Henry and Liam I’ve tried to have something like this.

Also in Austen there is so often what we might call the false love interest and the true one: think of Wickham/Darcy, Willoughby/Brandon, Thorpe/Tilney, Crawford/Bertram, Churchill/Knightley Elliot/Wentworth. The false love interest might be a foil to the true one, an obstacle, a distraction. But somehow, the false always points the way to the true, and this is something I tried to do in my story also.

HML: In many ways, Rachel – with her career, her independence, and her modern frankness about her sexuality – feels like the anti-Austen protagonist. Tell us about your intentions with her character.

KAF: One thing that struck me in thinking about Jane Austen as a person was how incredibly brilliant she must have been, with such a limited outlet for her abilities, and how well she managed to function within those restraints. I imagined how frustrating it must have been to be a woman of that time – any woman, but especially a genius. And how much more frustrating for a modern woman to travel to the past and voluntarily submit to this life. 

To be a person who chooses to travel in time, you have to be pretty bold and adventurous, yet as a woman be willing to suppress all that in the interests of the mission. It seemed like a good setup for conflict. I wanted Rachel to be competent and feisty and forthright about sex because all those things put her in collision with 1815. I was also intrigued by the challenges she presented as my first-person narrator. She’s very perceptive in many ways, but she also has some blind spots.

HML: Which Austen character do you feel Rachel most resembles?

KAF: She has some elements of several: She’s a bit like Elizabeth in her self-confidence and sense of humor, like Emma in her capacity for self-deception about certain important things, such as her true feelings about Liam and her own fear of emotional intimacy. The setup of Rachel and Liam coming to London has many echoes of Mansfield Park, which makes her like Mary Crawford – and she does play that worldly temptress role with Henry.

HML: You’ve been a longtime Austen reader and member of JASNA. What has it been like to write Austen-inspired fiction?

KAF: Both fun and intimidating. When I got the idea to write this book, years ago now, I was a longtime fan of Austen but not obsessed to the degree I became subsequently. It’s been great to immerse myself in this world, and in Austen’s work, but I did not quite realize what I was getting myself into, when I began. Exactly how much of a genius Austen really was – and therefore how perilous to take on in homage. Also, just how much Austen-inspired fiction there is, and therefore what a challenge to try to be original.

HML: I hear you on that! So, much of The Jane Austen Project deals with the death of Jane Austen, what may have caused it, and how Rachel’s present is affected by it. One of the ideas you present is the thought that had Austen lived long enough to be prolific, she wouldn’t have enjoyed the fanatical popularity she does now. Why do you think that might be?

KAF: Anthony Trollope was someone I discovered only in the course of writing this book – I’d heard of him, but somehow had never read him. When I read The Way We Live Now, I was blown away – I could not believe I had missed out on such a wonderful writer all this time. As I learned more about him, how disciplined he was about writing, and how prolific, it struck me that maybe part of his problem in the literary afterlife was that there was too much of him to get a grip on. In our time we see this with Joyce Carol Oates, for example.

Whereas with Austen it is quite contained – it’s possible to study her entire work in considerable detail. There’s not one of her books that people say, well it’s not as good as the others. I wondered if she had lived longer, and written more, would this still have been true? I can’t picture her cutting corners just to finish a book quickly and make money, but she might have experimented and taken directions that disappointed some of her fans, the way Henry James got more and more obscure in his writing style, for instance. 

I think in general it’s true that when there is a lot of something, we tend to place less of a value on it, and it amused me to think this could happen even with Austen. I am not entirely sure I believe it, though. And frankly, like Rachel, I would take the risk, for 17 additional Jane Austen novels.


HML: How do you feel our current reality might be different if we had that greater library of Austen’s work?

KAF: Haha, I don’t know. I’d like to think it would be a better world, like we could have prevented the disaster of World War I or something, that reading more Austen would have made us all more insightful as a culture. But that might be putting too much faith in the power of literature.

HML: During your day job, you edit for the New York Times Upshot section. How did your journalism background help prepare you for writing/publishing fiction? What about publication surprised you?

KAF: As a novelist yourself, I am sure you know how you are always kind of living on two levels – the day-to-day reality of life, and the imaginary world that is playing out in the background of your mind all the time, and in the foreground when you sit down to write. Before I started working at The Upshot, and for much of the period I was working on The Jane Austen Project, I was a copy editor on the Foreign/National desk, which meant I might find myself editing stories about a whole range of topics, anything you might find in the A-section of the paper. I had to read the newspaper very closely every day, because I needed to know what had already happened to be able to see that day’s news in context. So I had all these current events in my brain, which the world of 1815 was such a welcome contrast with.

Daily journalism, especially for a copy editor, typically has a very short time horizon – you work on a story intensely, but then it’s over and published, and you go on to something else. Learning to think in the long time frame of writing a novel was a challenge for me. Also, I was quite struck by how slowly everything happens in the world of book publishing – this makes sense, but it was still surprising.

HML: I get that  especially after the pace of print journalism! Kathleen, thank you so much for your work on The Jane Austen Project, and for coming to the blog this week!


Readers - use the form below to enter to win a signed copy of The Jane Austen Project!





Jane Austen Week: Day 3 - Q&A with Teri Wilson

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Welcome to Day 3 of Jane Austen Week! To recap briefly, on Day 1 I shared the recipe for chamomile and lavender scones, as well as the link to the All Things Jane Giveaway. On Day 2, I got  chat Jane Austen and time travel with author Kathleen A. Flynn.

Today, I'm thrilled to be hosting Teri Wilson, author of Unleashing Mr. Darcy!

Teri came onto my radar via an elderly neighbor from our Vancouver, Washington neighborhood. I'd been gardening and doing yard work with my mom in the front yard and had Shiloh and puppy Sylvie tethered near the front door. The neighborhood's bank of mailboxes was just to the left of our house, and I met most of my neighbors over there. That day a sweet, elderly lady from two doors down introduced herself and, after a fashion, remarked on Shiloh and Sylvie.

"They look just like the dogs from that movie, that Hallmark movie," she said. "The Mr. Darcy movie."

As you can imagine, my ears perked up. Cavaliers? Mr. Darcy?

I did some creative Googling later and discovered that Unleashing Mr. Darcy was indeed a Hallmark Original Movie - which would be re-airing in a couple weeks - and was based on a book by Teri Wilson.

Who has two cavaliers.


So - you can imagine my enjoyment in reading Teri's novel and then watching Unleashing Mr. Darcy off of my DVR - especially when it came to getting to see cavies on TV! I'm extra thrilled to have Teri on the blog today, as a fellow Austen-adapter and cavalier-keeper.

Hillary Manton Lodge: Thanks so much for joining in today! Because this is Austen Week, let’s start with Unleashing Mr. Darcy. Where did the idea of Pride & Prejudice set in the dog-show world come from?

Teri Wilson: I first got the idea for Unleashing Mr. Darcy when I was at a dog show. I have two Cavalier King Charles Spaniels named Bliss and Finn, just like the dogs in Unleashing. When they were very young, I showed them in conformation dog shows. I was a dog show novice. Honestly, I was pretty terrible at it - I was always very nervous in the ring. There’s a lot of downtime at shows, and at one point, I was re-reading Pride & Prejudice ringside and I just started thinking about what it would be like if Mr. Darcy were the judge and how terrifying that would be. I started imagining all the conversations he and Elizabeth could have if she were showing her dog in his ring. I thought about the book for months before I decided to actually write it. I thought it was such a niche idea that no one would want to read it. Thank goodness I was wrong.

HML: I love how writer's brain works! That's so great. Tell us about your history with Jane Austen’s stories, then. Which ones are your favorites?

TW: I never really read them until I was an adult. I fell, fast and hard. I read them all, and then I started in on all the modern, Austen-inspired novels. Isn’t it amazing how she’s become an entire sub-genre now? It’s probably obvious that Pride & Prejudice is my favorite. But honestly, I love them all. I’ve toyed with the idea of doing a retelling of Persuasion. “Half agony, half hope.” Swoon.

HML: Your Donovan Darcy – a billionaire dog breeder, naturally – is based on Austen’s Fitzwilliam Darcy (also very wealthy, probably also had dogs). Why do you think the character of Darcy is so popular, decade after decade?

TW: Darcy was the original romantic hero. He was the first, and in a way, he’s the inspiration for all the other romantic heroes in literature (particularly the alpha heroes). He’s charming when he wants to be, but he’s generally pretty haughty. Only Elizabeth brings out his softer side. No one else. I think that’s what makes him so appealing as a book boyfriend. Who wouldn’t want to have that kind of affect on a man like Darcy? (At least on the pages of a book.)

HML: I love how, in Pride & Prejudice, Elizabeth teases Darcy and his sister, Georgiana, just kind of goggles at her. Nobody else had every thought to tease him like that, and I don't think he'd much take it from anyone else - that was one of her super powers. In what ways are your Elizabeth Scott and Austen’s Elizabeth Bennet similar? How are they different?

TW: They both move about in a world of privilege, but come from families that aren’t necessarily wealthy. They’re both headstrong, smart and independent heroines. They both enter into their first interactions with Mr. Darcy full of assumptions about what sort of man he is. As far as differences, my Elizabeth probably likes dogs a lot more than the original Elizabeth Bennet does. Haha! She’s also a bit more modern in that she’s taken steps to become financially independent from her family. Her independence becomes threatened though, and that’s when things get complicated.

HML: Pride & Prejudice finds new readers generation after generation, remaining an enduring classic. Why do you think that is?

TW: I always say that the classics become classics for a reason. They touch on universal themes that people throughout time can identify with. I think many women see themselves in Elizabeth Bennet. She’s bookish and witty and independent. She cares deeply about her family, embarrassing as they may be. But she’s not the prettiest or the richest or most popular girl around. I think she taps into the underdog in all of us. And Mr. Darcy is just so perfect…“You must allow me to tell you how ardently I admire and love you.” Siiiigh. I firmly believe those words will never lose their power.

HML: Okay – the big question. Do you prefer the 1995 miniseries or the 2005 film?

TW: Don’t make me choose! It could seriously go either way on any given day. I used to say Colin Firth was my favorite Darcy, but that changed when Unleashing Mr. Darcy was made into a movie for the Hallmark Channel. Ryan Paevey will always be my favorite Darcy now, because he’s mine.

HML: I love that! You get your own personal Darcy! So tell us more about the adaption of Unleashing Mr. Darcy into a Hallmark Original Movie. What was that process like? What was the most fun for you?

TW: The entire experience was completely surreal in all the best ways. I was so overwhelmed with joy at every stage of the process that I burst into tears all the time. Every single day. I’m not kidding. I was actually afraid to go on set because I thought I’d be a weepy mess. I managed to hold it together until the crew gave me my own director’s chair with my name on it. Then I cried like a baby. It’s a very humbling experience to have something you’ve made up in your head become an actual, real thing. And I’m so pleased with the finished film. I love everything about it, from Ryan as Darcy (perfection!) to the dogs. The most fun for me was definitely being on set. I’ve loved movies my entire life, and being involved with my own was an experience I will always treasure.

HML: Recently, you got to judge beauty pageants in Florida – clearly you are living your best life. Tell us more about that! Do you think the contestants were accomplished enough to impress Caroline Bingley?

TW: Can you believe I got to judge the Miss United States pageant? It just happened a week ago, so I’m not even sure I’ve wrapped my head around it yet! I was really surprised (and so completely thrilled) to receive the invitation to judge a huge national pageant. I write a lot of non-fiction articles about fashion for HelloGiggles.com and it’s no secret that I’ve never met a tiara I didn’t like, and I think those two things contributed to the invite. The Miss United States pageant is the same pageant that was featured in the Miss Congeniality movies. (It’s real!) I had the best time. I was so looking forward to it, but honestly, it exceeded my expectations. I was excited about the fashion aspect and all the glamour, but it was very inspiring and much more emotional than I anticipated.

The pageant is platform-based, and in the personal interview portion, I got to speak with the contestants about their community involvement and the volunteer work they do to support their platforms. I was so impressed with all the wonderful things those young women do to help others as well as with their grace and speaking ability, especially the teenagers. It was quite remarkable. The young lady who won the Jr. Teen portion of the pageant is a brain cancer survivor and will be such an inspiration to girls her age. There were several contestants in the adult division who are active duty military. It was a very empowering experience. I dare say, even Caroline Bingley would have been astounded.



HML: Since Unleashing Mr. Darcy, you’ve released a Romeo & Juliet adaptation (Unmasking Juliet) and a My Fair Lady adaptation (The Art of Us, also adapted by Hallmark). Do you have other literature-inspired projects in the works?

TW: I don’t have any classic literature retellings in the works right now, but all three books in my series The Royals for Pocket Star Books are contemporary adaptations of classic movies. Royally Roma is based on the Audrey Hepburn film, Roman Holiday. Book 2 in the series, Royally Romanov, was inspired by Anastasia (more on that below!). The series ends in November with Royally Wed, which is loosely based on the Fred Astaire film Royal Wedding. I adore old black and white movies, so I had the best time writing these books.

HML: I love that idea! But yes, tell us more about Royally Romanov - there was a time when I was particularly fascinated by the Russian royal family, so I'm excited about that one.

TW: Royally Romanov is a contemporary romance inspired by the story of the Grand Duchess Anastasia. The heroine, a museum curator, falls for a mysterious man who may or may not be a long lost heir to Russian's imperial Romanov dynasty. I’m so excited about this book because I’ve always been intrigued by the Romanovs and I’m a huge fan of the animated Anastasia movie!

HML: That's so fun, I'm really looking forward to that one! What are the best places for readers to connect with you on social media?

TW: I love interacting with readers! You can find me at my website, as well as Facebook, Instagram, and Twitter.

HML: For reals, dear readers, I promise Teri is worth the follow. It's a feast of dog pics and tiaras and joy. Thanks so much for joining in on Austen Week, Teri!

Readers - two things before you go. First, use the form below to enter to win a signed copies of Unleashing Mr. Darcy and It Started With A Diamond

Second, don't forgetthat tomorrow night is the Sense & Sensibility Watch-Along!Visit the event page for details.







Jane Austen Week: Day 4 - Reflections on Sense & Sensibility

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As  Jane Austen Week wraps, I felt like there was a hole here on the blog for Day 4 and I wanted to shore it up.

As part of the official festivities, we watched Sense & Sensibility together - even if you didn't get to participate, you may enjoy reading over the threads! It was a lot of fun, and I'll do something similar again another time.

Watching the movie over again reminded me of my experience reading Sense & Sensibility in preparation for the writing of Jane of Austin. You see, when I was first tapped to write Jane, all I had was a title. From there, I had free reign to go anywhere I liked.

I hadn't read Sense & Sensibility yet - I'd read Pride & Prejudice, Emma, and Persuasion. But I knew I wanted to write a more rebellious, headstrong character than I'd been writing for the last several years. Of Austen's likable rebels, Marianne was the strongest choice - unlike other rebels (*cough* Lydia *cough*), Marianne gets an entire redemption arc. She learns, she grows, and she's offered a chance at happiness.





But it's not an easy book to adapt. Much of the story - not unlike Pride & Prejudice - is a critique on the English tradition of primogeniture. Not unlike the Bennet sisters, the Dashwoods missed out on having any protections not only because they were daughters, but because they were half-sisters of the heir. Their sudden loss of fortune was exactly the eventuality that Mrs. Bennet worked to prevent for her own daughters.

It's a story of the series of men who have failed the Dashwood women in one way or another - their father, their half-brother, by Willoughby - who falls in love with Marianne but marries another for money. Even Edward, in his failure to tell Elinor sooner of his prior attachment to Lucy Steele, causes Elinor undue angst for the bulk of the novel.

Emma Thompson's ability to write Edward into a shy beta hero is nothing short of remarkable; in the novel, he visits Barton Cottage but spends his time distract and unhappy, fingering a piece of jewelry we later discover was gifted by Lucy. It's Mrs. Dashwood who counsels him choose his own path.
But there are bright spots for the Dashwood ladies - there's Sir John, who's happy to rent the cottage on his estate to his cousin and her family on easy terms. There's Mrs. Jennings, who - yes, is a gossip - but she also offers to take the elder Dashwood girls to London where they might find husbands. 

And then there's Colonel Brandon. 

The Colonel, we learn, was once disappointed in love, seeing his sweetheart married to his brother, and caring for that woman's illegitimate child after her divorce - setting her up in the country, very much as Harriet Smith had been. But rather than find happiness with a local farmer, the girl is seduced by Willoughby; it's Brandon who finds her, who challenges Willoughby to a duel, who provides. He's a romantic, and his second chance at happiness arrives in the form of Marianne.

The second chance trope is one that Austen reaches for more than once. It's at the center of Persuasion, as well as the third act of Pride & Prejudice. That both Brandon and Marianne can make the most of it is one of the truest pleasures of the novel. 

Thompson's other marvel, in the film, is giving voice to the Dashwood sisters. There's a great deal of dialogue in Pride & Prejudice that crosses from page to screen easily; likewise Emma. But in Sense & Sensibility, the characters talk around Elinor and Marianne - we are told they respond, but their voices don't appear on the page. Is it a stylistic choice? A tool to show how little voice either sister had in her own life? Either say, Thompson's screenplay provides them with words that feel so Austen-esque that you wouldn't know they're not original to the book.

The film is a pleasure, as is the original novel. I hope you've had the chance to enjoy them, and if not, will be able to do so soon. Because even though we live in a time when a woman can publish a book in her own name without risking notoriety, the people are largely the same. Money will never not be a part of our social construct; love and happiness will always be complicated by our own choices. 

Like I said, if you haven't read the novel and enjoyed the original - I highly recommend it. It's more challenging than the film, but its pleasures are rich and deep. Every time I got stuck in Jane, I could reliably open the book and find that Austen had something lovely inside, waiting for me. 



If you'd like a copy of your own, make sure to enter the All Things Jane Giveaway if you haven't yet! And if you've read it, let me know what you thought of it in the comments!

Jane Austen Week: Day 5 - Katherine Reay & the Austen Legacy

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I'm sad to see Jane Austen Week come to a close - I've had such a great time!

To help bring things to a close, I've invited Katherine Reay to come and share about Jane Austen's impact on her own writing. It's a gorgeous essay, so I suggest getting a cup of tea settling in to enjoy the read.

This is a wonderful week to enjoy Jane Austen! In pondering her influence on my life – thinking, reading and writing – I cast back to my middle school years.

I first encountered Austen in eighth grade. Her “romance” initially attracted me. Darcy and Elizabeth (Pride and Prejudice), with their misunderstandings, stops and starts; Wentworth (Persuasion) living in half agony, half hope; Knightley (Emma) loving Emma enough to let her go… Her stories felt like fairytales. While Austen’s wit focused on the hypocrisies, limitations and realities within her time, I viewed her novels with rosy idealism. For a thirteen-year-old, Darcy was my Prince Charming and Miss Bingley, an Ugly Stepsister.


Thirty years later, that is not the aspect of Austen’s brilliance that holds my attention. My own contemporary-based writing (Dear Mr. Knightley, Lizzy & Jane, and The Austen Escape) allude to her works again and again, not because of the romance, but because of her continued relevance, her deep well of understanding regarding human nature. Austen knows us and that acumen has forged a common language we share.

She continues to show me, in deftly drawn words and unparalleled acuity, that human nature is static. We will always get things wrong; we will always carry prejudice, look out for our own interests, demonstrate beautiful loyalty, stand firm, and rise above with the truest sacrificial instincts. She shows me what I know to be true – sibling love is powerful and a gift; sibling rivalry undeniable; families are for life; and real love exists. 


And within her books, I met people I cross paths with on a daily basis: Wickhams, Caroline Bingleys, Lydias and Marys. And a few people I cherish as well – Lizzys, Janes, and Georgianas. Charlottes are also in my life and writing too– good friends with whom I may not agree all the time, but I get them and they understand me equally well. We rub shoulders with these people– we are these people. Austen communicated the unfaltering truth of human nature in a transient environment. The drawing rooms have changed – the hearts have not.

And her brilliance not only lies in her recognition of human nature, but her skill in revealing it. Austen didn’t dazzle us with adventures, mysteries, or intrigue. Her characters stayed in their villages and moved through kitchens, ballrooms and life. She met them where we meet ourselves. And that is an unending process. We are continually redefining ourselves and discovering new things within us in those small moments of life. We encounter that time, again and again, as Lucy Alling from The Bronte Plot, defines: “That time when you don’t know where you’ll be, but you can’t stay as you are.”

We saw it in Pride and Prejudice when Lizzy declared “Till this moment I never knew myself.” Or in Persuasion when Wentworth seizes pen and paper and pours out his heart… “I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope.” We see it in each of her stories as we see it in each of our lives – our preconceptions and prejudges get swiped away in the bright, sometimes harsh, light of reality.


While I touched upon this in Dear Mr. Knightley and in Lizzy & Jane, employing allusions to Austen’s work as a way to reveal motivation and character in a manner we understand, I dug more deeply into her popularity, power and our appropriation of her stories in The Austen Escape. It was great fun to examine her meteoric rise to popularity in our modern culture over the past couple decades, and the explosion of research around her books, word choice, and continued literary influence.

Perhaps, in the end, G.K. Chesterton got it right when he wrote, "No woman later has captured the complete common sense of Jane Austen. She could keep her head, while all the after women went about looking for their brains." While I contend he judged the rest of us a bit harshly, he too expressed an enduring truth.

No one writes like Miss Austen.




I love this essay! Thanks so much, Katherine, for sharing. Readers - Katherine is giving away a copy each of Dear Mr. Knightlyand Lizzy & Jane. Use the form below to enter!






Restorative Chicken Soup

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Most of the recipes that show up here are ones I've developed and tweaked, and this one is not different. But if you've got the current issue of Real Simple on your sofa, this'll look familiar. I was flipping through and found it the day Danny's parents arrived from Oregon, and thought, "we should eat that."

But I tweaked it (as I do) and will probably tweak it some more, but it's definitely going into regular rotation. First, I would hesitate to call it a taco soup because - I don't know. It's not exactly taco innards. Mexican-ish chicken soup? At any rate, I used a mix of chicken breasts and chicken legs, for body. I also used a bit more corn, and would use even more next time. I wouldn't be opposed to more black beans, either.

And I topped it with avocado, because WHY WOULDN'T YOU. AVOCADO. (Ahem). I also like crumbling tortilla chips into my Mexican-flavored soups, and some cilantro won't go amiss.

A couple tips - use gloves when handling the jalapeno peppers, and if you don't have gloves, use plastic sandwich bags. It's cheap, but it does the job - which is keeping the capsaicin off your hands.

This is definitely a "this is super easy once the prep work is done" kind of recipe, but a food processor makes much faster work of it. I recommend mincing the seeded jalapeno together with the onion. You can add the bell pepper after and process it, if you want it small, or chop it by hand separately.

I also pulsed the tomatoes in the processor - Danny doesn't do chunky tomatoes (and I don't care much for them, either). Resist the temptation to skip straight to the crushed tomatoes and stick with the canned fire-roasted tomatoes - you'll want the hint of smokiness, and they puree up in a pinch.

All of that to say - if you like the ingredients, you'll like the soup.  And if you happen to have leftovers in the fridge when you come down with a cold (speaking from experience), you'll be thankful to have them!

Adapted from Real Simple

For the Soup:

6 cups chicken stock
2 boneless, skinless chicken breasts
2-3 boneless, skinless chicken thighs, fat trimmed off
1 large yellow onion, chopped fine.
1 jalapeno pepper, seeded and chopped fine.
1 red or orange bell pepper, chopped
1 15-oz can diced fire-roasted tomatoes (optional: puree)
2 15-oz cans black beans, drained and rinsed
12 oz frozen corn
Juice of 2 limes
2 tablespoons ground cumin
2 tablespoons chili powder
1 tsp sea salt
Cracked black pepper to taste

For Serving:

Sliced avocado, cheddar or Monterey Jack cheese, sour cream, tortilla chips, and/or sliced jalapeno

Place all soup ingredients into a slow cooker, stir, and cook on low for 10 hours. Remove the chicken with a slotted spoon before serving, and rough chop/shred it before replacing it to serve. Top with desired toppings, and enjoy. Serves 8.

What's your favorite end-of-summer soup? Share in the comments!


Inspirational Contemporary Romance Bundle Giveaway!

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Exciting news! Booksweeps is holding a super huge giveaway, and Jane of Austin is one of the books in the prize package! See all the included books below and click here to enter.




Jane of Austin - The Playlist!

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Want to experience the music of Jane of Austin? I've put together a Spotify playlist with the songs and bands mentioned in the book, songs they listened to on their road trip, and music they might have heard at SxSW. Give it a listen - you might find some old favorites and make new discoveries! Click below to enjoy. 



Which songs do you enjoy? Which ones would you add? Share in the comments!

Pumpkin Scones with Chai Glaze for Fall

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Who's ready for fall? After a long - though admittedly mild, by southern standards - Memphis summer, I'm ready. And for about 48 hours, it felt like fall...and then it was back to highs in the 90's. So clearly, the solution is to make my own autumn, and that means homemade pumpkin scones.



They bake up moist and gorgeous, and the black tea in the icing makes them extra special. If you like your scones extra spice-forward, go ahead and increase the spices by half. 

~ Pumpkin Scones with Spiced Chai Icing ~

For the Scones

1/2 cup canned plain pumpkin

2 tablespoons whole milk

1 egg

6 tablespoons cold butter, cut into very small pieces

2 cups all-purpose flour

Scant cup sugar

1 tablespoon baking powder

1⁄2 teaspoon salt

1 teaspoon cinnamon

1⁄2 teaspoon nutmeg

1⁄4 teaspoon cloves

1⁄4 teaspoon ginger



For the Glaze



1 cup powdered sugar

2 tablespoons whole milk


For the Chai Icing



1 cup powdered sugar + 3 tablespoons powdered sugar

2 tablespoons whole milk

1/4 tsp black tea, very finely ground

1⁄4 teaspoon cinnamon

1⁄8 teaspoon nutmeg

1 pinch ginger

1 pinch clove



To make the Scones



Preheat the oven to 425°F. Line a baking sheet with parchment paper.



Cut the butter into small, 1/6-inch sized pieces, and place the cut pieces into the freezer.

Whisk together the pumpkin, whole milk, and egg. Set aside.


Stir the flour, sugar, baking powder, salt, and spices together in a large mixing bowl. Using your hands, rub the butter into the flour mixture until the mixture resembles small peas.



Fold in the pumpkin mixture, stirring just until a shaggy dough forms.



Turn the dough out onto a floured pastry cloth or silicone baking mat. Knead the dough for three or four turns, and then form it into a long rectangle, about 3/4-inch thick. With a large knife, cut the dough into three squares, and then cut each square into two triangles. If you want smaller snack-sized scones, cut the squares into quarters.



Place the scones onto the lined baking sheet, and bake for about 15 minutes, or until the scones are lightly browned on top. Allow to cool fully (otherwise, the glaze will melt right off).



To prepare the glaze, stir together the milk and powdered sugar. Brush over cooled scones. For the spiced icing, stir together all ingredients. To pipe over the scones, you can use a pastry bag and a tip, or simply spoon the icing into a zipper storage bag and cut the tip of one corner off. Drizzle over each scone in a zigzag pattern; allow to set before serving.



Makes six large scones, or twelve small ones.

Do you live somewhere warm? How do you make autumn for yourself?
Share in the comments below!

New Etsy Shop & Graphic Giveaway!

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Guess what - I’ve opened an Etsy shop! If you’re not one of the people who’s had their ear talked off about my love for graphic art and design, this might take you by surprise. (And if you have had your ear talked off, well, thank you for your patience!)

Social media changed between the releases of my second and third novels (Simply Sara and A Table by the Window, if you’re counting). I started designing my own marketing graphics during my first release with WaterBrook. In my post-college, pre-publishing days, I’d had a small photography business and had become more than passingly familiar with the art of photo editing. At first, making my own marketing graphics was a matter of adding text to images. 



But I also studied art in college, and markets such as The Hungry Jpeg and Creative Market introduced me to the joys of non-standard brushes and styles, and soon I was making my own artwork and custom pieces to give as gifts. I learned new skills and got faster and better. Well – faster at the doing. The deciding still takes time. 





Over the last couple years, I realized I’d built up a number of graphics in my stash, and I’d had friends and readers asking about purchasing prints. So – now that I’ve more or less settled into my new home and Jane of Austin is out in the world, I'm excited to make them available to everyone! 


To celebrate, I'm giving away a graphic each to two readers - use the form below to enter. Click the logo below to check out the shop!

 HillaryMakes Site
Which graphics are your favorites? Share in the comments below!

  
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